Carbon Based

Daily Bread

A showcase of things we've done, things we like and other random rantings...

18.4.07

Quote of the Day


"The first book that could be easily carried arround was printed in Venice in 1501. It was called a pocket book. It was printed in Italic, which was thinner than the other styles of type, and was said to be an imitation of Petrarch's handwriting. Printers kept their letters in cases arranged before them on a table. Each letter had a compartment.

Capital letters were kept in the upper case, and small letters in the lower case.
"

-from the New Yorker article, Man of Letters : Matthew Carter's life in type design.
posted by carlito sway at 11:25 0 comments


17.4.07

World Heritage Sites


In 1972, UNESCO ratified a measure to create a label that would preserve a variety of manmade - and, eventually, natural sites - across the globe, based on a variety of important criteria, generally culturally related. Some of the more prominant of the 830 World Heritage Sites include Memphis and its Necropolis (which include the Pyramids of Giza), The Great Wall of 10,000 Li (China), Venice Italy, of course, the Statue of Liberty (no joke), and the Shinto Itsukushima Shrine (pictured). The following are the credentials:

"Until the end of 2004, there were six criteria for cultural heritage and four criteria for natural heritage. In 2005, this was modified so that there is only one set of ten criteria. Nominated sites must be of "outstanding universal value" and meet at least one of the ten criteria.

Cultural criteria

* I. "to represent a masterpiece of human creative genius";

* II. "to exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design";

* III. "to bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared";

* IV. "to be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history";

* V. "to be an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture (or cultures), or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change";

* VI. "to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance. (The Committee considers that this criterion should preferably be used in conjunction with other criteria)";

Natural criteria

* VII. "to contain superlative natural phenomena or areas of exceptional natural beauty and aesthetic importance";

* VIII. "to be outstanding examples representing major stages of earth's history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features";

* IX. "to be outstanding examples representing significant on-going ecological and biological processes in the evolution and development of terrestrial, fresh water, coastal and marine ecosystems and communities of plants and animals";

* X. "to contain the most important and significant natural habitats for in-site conservation of biological diversity, including those containing threatened species of outstanding universal value from the point of view of science or conservation."
posted by carlito sway at 17:39 0 comments


12.4.07

Quote of the Day & Article To Read


"Applied to graffiti, Venturi's ideas on a valid architecture described one of writing's most interesting characteristics: its ability to reconsider letter forms, reformulate language, and destroy the accepted hierarchies of communication. With no artificially imposed order and the inherent decentralization of postmodernism as its guide, graffiti writers used irony (in the form of the oppressor becoming the oppressed), double coding (writers communicated simultaneous messages to different social groups), and paradox (the inherent illegibility of their work), as tools to change our shared expectations of how, where, and why we communicate. It is an archetypal study in semiotics where signs and symbols are used to recognize how meaning is formulated and perceived. It is also an example of how information can be transferred and data decoded between sender and receiver."

- from Bombing Modernism. An interesting spin on the motives behind graffiti, and perhaps why i bonded so well with it. The full article is amazing, and worth the read.
posted by carlito sway at 13:05 0 comments


3.4.07

Quote of the Day

"It is not from the benevolence of the butcher, the brewer or the baker that we expect our dinner, but from their regard to their own interest. We address ourselves not to their humanity but to their self-love, and never talk to them of our necessities but of their advantages. Nobody but a beggar chooses to depend chiefly upon the benevolence of their fellow-citizens."

- Adam Smith, from The Wealth of Nations. An analogy to describe how the 'invisible hand' works, explaining, in some ways, why Laissez-faire policies work.
posted by carlito sway at 09:22 0 comments